SOMM Recordings is pleased to announce the return of the acclaimed partnership of pianist Cl├ęlia Iruzun and the Royal Philharmonic Orchestra conducted by Jac van Steen with two colorful late-19th-century Romantic Piano Concertos from Brazil and France: Henrique Oswald's G minor Piano Concerto, Op.10 and the Fifth Piano Concerto in F major (Op.103) by Camille Saint-Sa├źns. Iruzun's Brazilian compatriot Henrique Oswald shared a long friendship with Camille Saint-Sa├źns based on mutual admiration for each other as composers and pianists. They occasionally performed together some of Saint-Sa├źns' music for two pianos in public recitals. Saint-Sa├źns' exotic Fifth Piano Concerto, the Egyptian, was composed during a North African holiday in 1896. Combining complex piano writing with a deft lightness of touch, it boasts a lyrical main theme (described by Saint-Sa├źns as "a Nubian love song"), hypnotic echoes of the gamelan and a finale bursting with virtuosity. Oswald's Piano Concerto was composed in Italy a decade before Saint-Sa├źns' Egyptian. With bravura passages recalling Saint-Sa├źns' Second Piano Concerto, it's richly Romantic vein carries allusions to Faur├ę while brimming with Oswald's intriguing native Brazilian rhythms. Like Oswald, Alberto Nepomuceno was a Brazilian who studied in Europe, later succeeding him in a prestigious teaching position in Rio de Janeiro. Modelled on Grieg's Suite from Holberg's Time, his Suite Antiga (Suite in the Old Style) combines Baroque style and Romantic attitude with a bewitching savoir faire.
SOMM Recordings is pleased to announce the return of the acclaimed partnership of pianist Cl├ęlia Iruzun and the Royal Philharmonic Orchestra conducted by Jac van Steen with two colorful late-19th-century Romantic Piano Concertos from Brazil and France: Henrique Oswald's G minor Piano Concerto, Op.10 and the Fifth Piano Concerto in F major (Op.103) by Camille Saint-Sa├źns. Iruzun's Brazilian compatriot Henrique Oswald shared a long friendship with Camille Saint-Sa├źns based on mutual admiration for each other as composers and pianists. They occasionally performed together some of Saint-Sa├źns' music for two pianos in public recitals. Saint-Sa├źns' exotic Fifth Piano Concerto, the Egyptian, was composed during a North African holiday in 1896. Combining complex piano writing with a deft lightness of touch, it boasts a lyrical main theme (described by Saint-Sa├źns as "a Nubian love song"), hypnotic echoes of the gamelan and a finale bursting with virtuosity. Oswald's Piano Concerto was composed in Italy a decade before Saint-Sa├źns' Egyptian. With bravura passages recalling Saint-Sa├źns' Second Piano Concerto, it's richly Romantic vein carries allusions to Faur├ę while brimming with Oswald's intriguing native Brazilian rhythms. Like Oswald, Alberto Nepomuceno was a Brazilian who studied in Europe, later succeeding him in a prestigious teaching position in Rio de Janeiro. Modelled on Grieg's Suite from Holberg's Time, his Suite Antiga (Suite in the Old Style) combines Baroque style and Romantic attitude with a bewitching savoir faire.
748871327627
Piano Concerto
Artist: Clelia Iruzun
Format: CD
New: Available 18.99
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SOMM Recordings is pleased to announce the return of the acclaimed partnership of pianist Cl├ęlia Iruzun and the Royal Philharmonic Orchestra conducted by Jac van Steen with two colorful late-19th-century Romantic Piano Concertos from Brazil and France: Henrique Oswald's G minor Piano Concerto, Op.10 and the Fifth Piano Concerto in F major (Op.103) by Camille Saint-Sa├źns. Iruzun's Brazilian compatriot Henrique Oswald shared a long friendship with Camille Saint-Sa├źns based on mutual admiration for each other as composers and pianists. They occasionally performed together some of Saint-Sa├źns' music for two pianos in public recitals. Saint-Sa├źns' exotic Fifth Piano Concerto, the Egyptian, was composed during a North African holiday in 1896. Combining complex piano writing with a deft lightness of touch, it boasts a lyrical main theme (described by Saint-Sa├źns as "a Nubian love song"), hypnotic echoes of the gamelan and a finale bursting with virtuosity. Oswald's Piano Concerto was composed in Italy a decade before Saint-Sa├źns' Egyptian. With bravura passages recalling Saint-Sa├źns' Second Piano Concerto, it's richly Romantic vein carries allusions to Faur├ę while brimming with Oswald's intriguing native Brazilian rhythms. Like Oswald, Alberto Nepomuceno was a Brazilian who studied in Europe, later succeeding him in a prestigious teaching position in Rio de Janeiro. Modelled on Grieg's Suite from Holberg's Time, his Suite Antiga (Suite in the Old Style) combines Baroque style and Romantic attitude with a bewitching savoir faire.